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Writer's pictureChristopher Goldsmith

#12 Joni Mitchell - Amelia, 1976



This song is from Joni Mitchell's 1976 album, the same one that features "Coyote" among other classics. The album showcases more developed instrumentation and an extraordinary level of musicianship, with contributions from top session players like Larry Carlton and Jaco Pastorius, who help bring these life-affirming songs to fruition.


"Amelia" is a spacious, emotive, and stunningly beautiful track—one of my favourites, not just by Joni Mitchell, but by any artist. After looking into Hejira, it's clear that the album was crafted during a transitional period in her life, as she traveled across America, meeting new people. You can feel this in the music. The lyrics have a sense of urgency, capturing interactions with characters, scenes, and moments that could have been lifted from a Jack Kerouac novel. The romantic imagery and stories of life on the road pull you into this world, and like all great art, the themes begin to resonate personally. The song feels like a stream of consciousness, weaving between conscious and subconscious thoughts, as vast landscapes unfold.


Somehow, Joni Mitchell manages to create this expansive, dreamlike atmosphere while also making you feel as if you're right beside her on this journey.


"Amelia" is loosely inspired by the aviation pioneer Amelia Earhart, who set several flying records before disappearing over the Pacific Ocean in 1937. Earhart was an advocate for women in the 1930s, and likely stirred some controversy at the time. Mitchell draws a parallel to a determined, driven woman with a mission—an idea conveyed so poetically, with a genuine sense of kinship and admiration. At times, the song’s lyrics seem to blur the line between poetry and conversation, as if Mitchell is speaking directly to Earhart, which is deeply moving.

On a broader level, I think the song reflects Mitchell’s life at that moment—the journey leading up to it: her love life, the challenges of being on the road, and her introspective musings. More specifically, it seems to be about her creative drive and the inspiration that fuels her work.


"Amelia" is one of my all-time favourite songs. It's absolutely perfect, capturing Joni Mitchell as she was truly coming into her own as an artist. Personally, I’ve always connected more with her later work rather than her earlier, more folk-heavy catalog. With the 60s folk artists, I tend to gravitate towards their later work, once they've got a few albums under their belts and the effects of "the road" have set in.


I still believe Joni Mitchell is vastly underrated, especially in an era dominated by male artists. I'd even argue that she was pushing the boundaries of the form more than any of her contemporaries. As much as I love the Dylans and Cohens of the world, Joni Mitchell stood apart, blending genres and refusing to be confined to a single style. I think people are finally beginning to appreciate just how important she was.



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